Black Swan follows the pursuit of Nina Sayers (Portman), a young dancer who is desperate for the lead in the upcoming production of Swan Lake personifies the white swan side of the role. Her technique and petite appearance makes her perfect for the role as the young, innocent white swan. The director of the piece Thomas Lery (Vincent Cassel), understands Nina's ability and decides she is perfect for the white swan, yet urges her to let go of her technique and take on the challenge of the black swan. Meanwhile, newcomer Lily (Mila Kunis), is less technically adapt, but personifies the passion and movement of the black swan, and is envied by Nina. At home Nina's mother, Erica (Barbara Herschey) hounds her constantly, as Erica lives through Nina after her own dancing career failed. Nina struggles mentally with the role of the Swan Queen and begins to spiral out of control, while she keeps a watchful eye over Lily.
Portman turns in the performance of her career here as Nina, and is worthy of her Oscar buzz. Portman fits the role well, and in whatever areas she doesn't fit, she makes herself fit. The supporters are also quite good, with Herschey being the stand out, as Nina's over bearing mother. Kunis and Cassel are very good in their roles as well, as is Winona Ryder, who plays a minor role. Credit must go to the scriptwriters, Mark Heyman, Andres Heinz and John Mclaughlin for creating the scene in which Aronofsky weaves his magic. Black Swan not only captivated me, but managed to make me think long and hard during and afterward as to what exactly was happening to Nina. The mystery is kept well and truly alive by Aronofsky, with Portman the leading performer.
Four and a Half out of Five.
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